The Urushicum series represents a step forward in my research and development. In this work, I blend two traditional methods of finishing and painting wood, drawing inspiration from Japanese Urushi techniques and the practices of Brazilian Amazon tribes with Urucum.

Both techniques offer natural ways of painting and protecting wood. I am deeply fascinated by the history and properties of these natural methods— learning from them, about them, and observing how they shape the final outcome of each piece.

Urushi, derived from the sap of the lacquer tree, is a natural coating material that has been used in Japan for centuries. When applied to wood, it serves as both a protective layer and a preservative, preventing decay and significantly extending the material’s lifespan.

Urucum is derived from the seeds of the Urucuzeiro tree. Its vibrant pigmentation plays a significant role in indigenous body art, serving as an essential element in the symbolism and visual communication systems among tribes. Additionally, it is traditionally used to finish and embellish objects such as arrowheads and bowls, enhancing both their aesthetic and functional qualities.